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Books
have been written about the sixties from the perspective of its student
radicals, but Split: A Counterculture Childhood is the first
book to offer a child's-eye view of the counterculture and protest movements.
Michaels notably resists the typical parent-bashing slant of most childhood
memoirs. Phillip Lopate singled out Split for its "calm
refusal to blame family members or indulge in self-pity." James
Atlas included an excerpt from Split as the lead piece in his special
"memoir" issue of the New York Times Magazine (May
1996).
In 1969, Lisa Michaels's father was sentenced to two years
in prison for his part in an antiwar protest. Lisa was three years old
and had recently been captured in Life magazine carrying a Vietcong
flag at an antiwar rally. Her parents divorced, and she spent the early
seventies touring the country with her mother and stepfather in a customized
mail truck-complete with oriental rugs, fold-down beds, and a woodstove-until
they settled in a small northern California town to grow vegetables.
I n
Split, Michaels writes clearly about the pressures and freedoms
of her childhood: about outhouses, communes, and demonstrations, and
about consecrating her father and stepmother's marriage by reading from
the Quotations of Chairman Mao Tse-tung. She also looks at what came
after, for her parents and herself, as the wild days of the seventies
gave way to the Reagan era. Split highlights the effects of such contemporary
domestic staples as divorce, when a child is "split" between
two very different families. Her perspective is partly social and political,
but primarily emotional. An award-winning poet, Michaels's first concern
is the evocative and visual quality of her story. She doesn't offer
pat conclusions about this complicated era; instead, she paints a clear-eyed,
insightful picture of the way her upbringing shaped her, and of how
the legacy of the sixties played out in one remarkable family.
Praise for Split
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